![]() Want to create amazing football posters using our Photoshop templates? You've come to the right shop! Our digital football backgrounds are perfect for creating senior banners, sports posters for display on senior night, or as football player gifts for end-of-season banquets! Cancel at anytime.Īutomatically renews every year on date of purchase for $300. ![]() Cancel at anytime.Īutomatically renews every 3 months on date of purchase for $80. No additional fee per product.Īutomatically renews every month on date of purchase for $19.99. But working consistently with your friends, for the pleasure of it, can be a kind of poetry in itself.Purchase product individually or get unlimited access to the entire Ashe Design store with an All Access Membership below. In the absence of his Beat eccentricities, a stevedore, stalwart band remains-another approach to pop, if a slightly less romantic one. ![]() His nasal screeds gave Brill Bruisers its surreal sheen-from envisioning a sprightly apocalypse in “War on the East Coast” to rasping an all-purpose paranoia on “Spidyr”-and have been a beguiling draw from the band’s start. He has often felt like his own island in the band, despite how smoothly integrated his tracks have been his tongue is just too sharp, even when he seems otherwise pleased. On “This Is the World of the Theater” and “Darling Shade,” her lead moments are soon enough accompanied by Newman, but her gentle tones reel in those choruses, which are the album’s most memorable.ĭan Bejar is missing here for the first time (he was waylaid by the next Destroyer album) and with him go the New Pornographers’ strangest corners. On Whiteout Conditions, she sings with a clean minimalism in the comparatively clipped phrasings of pop music. On Brill Bruisers, she paired her formidable country-folk pipes with swiftly paced electronics, and it felt intuitive from the first notes. Before it, she’d largely posted up as lead singer in the ballads onward from the band’s high-water mark 2005 album, Twin Cinema, her presence as a frontwoman felt strongest in the meditative dust-kickers. The group’s last record, 2014’s Brill Bruisers-a brisk, dance-pop nod to the Brill Building-was a turning point for Case’s role in the band. It’s Case who brings out the playful core of Whiteout Conditions. Case sounds near-saccharine here, with an innocent tang to her topnotes. ![]() In the closer, “Avalanche Alley,” they dream of “controlled demolitions” to wipe away the modern barrage of news, disappointments, vilifications. She makes its bitter pill lyric “The sky will come for you once/Sit tight until it’s done” peal like a tourism brochure tagline.Įlsewhere, Newman and Case stake out an uneasy duet in “We’ve Been Here Before,” as a reunited couple that sounds invariably doomed again, though the lilting guitars and hummingbird synths behind them offer a convincing gloss. The tale gets most grim in the chorus, but pivots on the natural buoyancy of Case’s voice. On Whiteout Conditions’ title track, his high, hardy vocals nudge out ahead of the busy synths and chipper drums to recall a depressive episode he recounts days spent falling into a resentful hermitude, turning from windowpanes, before clawing his way back toward the light (a sunny day literally helps kick him out of inertia). The balancing act is most apparent in the presence of the default lead Pornographer, Newman, a man who’s earned both a chuckle and our deepest condolences for sticking to this band name for nearly two decades. The color white may reflect light, but it doesn’t absorb it. This, plus a singularly bright and skipping tempo, creates an almost forcibly energetic mix-but like any 1980s production worth its salt, it betrays a deeper well of desolation. The album also largely discards lead vocals in favor of closely blended harmonies, the type that practically huddle in their team spirit. Newman, Neko Case, and Dan Bejar’s considerable individual fame.) Whiteout Conditions packs the most blanket pep of the power-pop group’s seven albums, dense with that particular new wave brand of electronic two-for-one-insistent, tinny arpeggio synths pinpricking rich, sweeping base chords. (They still shrug off that they’re a “ supergroup” despite A.C. So it’s notable that, as the New Pornographers inch ever-closer to the sound of a John Hughes soundtrack, they prove to be almost apologetically devoid of vanity themselves.
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